web01.fireside.fm Thu, 30 Apr 2026 07:44:55 -0500 Fireside (https://fireside.fm) For Songs - Episodes Tagged with “#Sqs” https://forsongs.fireside.fm/tags/%23sqs Thu, 17 Dec 2020 18:30:00 -0500 This podcast is for those who love music but can't write a tune to save their lives. We talk with singer/songwriters of all stripes, professional touring musicians to those who can't quite catch a break. Maybe you'll hear something you'll like. Maybe not. But you will come away with a greater appreciation for the gift of songwriting, and how hard it really is. Now sponsored by @thepugdc! en-us episodic A podcast for and about songs and songwriting Rob Thormeyer This podcast is for those who love music but can't write a tune to save their lives. We talk with singer/songwriters of all stripes, professional touring musicians to those who can't quite catch a break. Maybe you'll hear something you'll like. Maybe not. But you will come away with a greater appreciation for the gift of songwriting, and how hard it really is. Now sponsored by @thepugdc! yes songwriting, punk rock, guitar, music, folk, rock, singer/songwriter, podcast, songwriters Rob Thormeyer robthormeyer@yahoo.com Episode 17: It's a For Songs Christmas! https://forsongs.fireside.fm/17 c52a07f1-1af6-47ba-a88c-156455deec7d Thu, 17 Dec 2020 18:30:00 -0500 Rob Thormeyer 17 It's a For Songs Christmas! full 1 Rob Thormeyer It’s the holidays! We know it wouldn’t be #Christmas without Christmas music, so for the last episode of For Songs this year, I feature four different and unique non-traditional holiday songs. We’ve got two covers—indie-rock legend Paleface’s tender take on the Pogues’ classic Fairytale of New York and DC-based world-music trio Veronneau’s evocative rendition of Joni Mitchell’s River. Then we highlight two originals: The Sweet Lizzy Project’s stunning This Christmas I’m Not Coming Home and Scott Miller’s Americana hymn The Kingdom Has Come. So sit back, drink some eggnog, or any kind of nog, curl up by the fire and listen in as we feature four holiday classics. 54:33 yes It’s not Christmas without Christmas music, right? So for the last episode of For Songs for the year, I wanted to highlight some of the best non-traditional holiday music of the last few years. We’ve got two classic covers—anti-folk/indie-rock legend Paleface’s tender, stripped-down version of the Pogues’ Fairytale of New York and DC-based world-music trio Veronneau’s romantic, evocative take on Joni Mitchell’s River. Then we wrap up with two originals—the stunning This Christmas I’m Not Coming Home from Havana-by-Nashville-based Sweet Lizzy Project and the Americana Christmas hymn The Kingdom Has Come by Appalachian rock-n-roller Scott Miller. All these songs are available on Spotify, Amazon, iTunes or however you listen to music these days. Or just get the CDs so you can really actually hear the music! The Spotify playlist is available here: https://open.spotify.com/playlist/6DlT3QfkbSdyALBkZdbZ9V?si=XFSfwzjfQN632budqGNj0w Christmas, music, holiday music, Christmas music, Sweet Lizzy Project, Paleface, the Pogues, Fairytale of New York, Scott Miller, Veronneau, SLP, indie rock, V-Roys, roots rock, Americana It’s not Christmas without Christmas music, right? So for the last episode of For Songs for the year, I wanted to highlight some of the best non-traditional holiday music of the last few years. We’ve got two classic covers—anti-folk/indie-rock legend Paleface’s tender, stripped-down version of the Pogues’ Fairytale of New York and DC-based world-music trio Veronneau’s romantic, evocative take on Joni Mitchell’s River. Then we wrap up with two originals—the stunning This Christmas I’m Not Coming Home from Havana-by-Nashville-based Sweet Lizzy Project and the Americana Christmas hymn The Kingdom Has Come by Appalachian rock-n-roller Scott Miller. All these songs are available on Spotify, Amazon, iTunes or however you listen to music these days. Or just get the CDs so you can really actually hear the music!

The Spotify playlist is available here: https://open.spotify.com/playlist/6DlT3QfkbSdyALBkZdbZ9V?si=XFSfwzjfQN632budqGNj0w

]]> It’s not Christmas without Christmas music, right? So for the last episode of For Songs for the year, I wanted to highlight some of the best non-traditional holiday music of the last few years. We’ve got two classic covers—anti-folk/indie-rock legend Paleface’s tender, stripped-down version of the Pogues’ Fairytale of New York and DC-based world-music trio Veronneau’s romantic, evocative take on Joni Mitchell’s River. Then we wrap up with two originals—the stunning This Christmas I’m Not Coming Home from Havana-by-Nashville-based Sweet Lizzy Project and the Americana Christmas hymn The Kingdom Has Come by Appalachian rock-n-roller Scott Miller. All these songs are available on Spotify, Amazon, iTunes or however you listen to music these days. Or just get the CDs so you can really actually hear the music!

The Spotify playlist is available here: https://open.spotify.com/playlist/6DlT3QfkbSdyALBkZdbZ9V?si=XFSfwzjfQN632budqGNj0w

]]> Episode 14: A Conversation with Lisset Diaz https://forsongs.fireside.fm/14 f175ee35-c854-4445-8431-580f33441290 Mon, 23 Nov 2020 16:00:00 -0500 Rob Thormeyer 14 A Conversation with Lisset Diaz full 1 Rob Thormeyer It wasn’t that long ago that Lisset Diaz was teaching science at the University of Havana in Cuba. Now, after coming to Nashville in 2017, she is the lead singer and chief songwriter of an inspiring rock-and-roll band called the Sweet Lizzy Project. Lisset and her band came here to record a new album called Technicolor, which was released in February 2020. In this episode of For Songs, Lisset details the Sweet Lizzy Project’s incredible odyssey from Havana to Nashville, along with her own personal journey that led her to quit teaching and commit to music full time. Lisset’s story is one of perseverance, persistence, patience, and incredible talent. Listen in! 44:36 yes Every musician sacrifices something to do what they do. For most, it’s money. I mean, unless you’re already a huge star, the chances of making money in this industry is slim to none. But few artists have sacrificed quite as much as Lisset Diaz and her rock-and-roll band, the Sweet Lizzy Projec (https://www.sweetlizzyproject.com/)t. Lisset and her bandmates emigrated to Nashville from Havana, Cuba, in 2017. So even before the pandemic, going back home was no easy task. They came here to make a new album after being featured in a PBS special called “Havana Time Machine.” Recording Technicolor took longer than expected, and the band waited for the perfect time to release it—February 2020. We all know what happened next. On this episode of For Songs, Lisset discusses three songs from Technicolor—“Turn Up the Radio,” “Tu Libertad,” and “December 31”—and the band’s newest single, “Sticky Situations.” She discusses the sacrifices it took to get here, the differences of recording in the US and Cuba, and the frustration of not being able to tour in support of their new album. Lisset also talks about the band’s new EP, a collection of Christmas songs, released in late November 2020. So settle in and turn up the radio! Sweet Lizzy Project, Lisset Diaz, Cuba, Havana, Raul Malo, the Mavericks, pandemic, Christmas music Every musician sacrifices something to do what they do. For most, it’s money. I mean, unless you’re already a huge star, the chances of making money in this industry is slim to none. But few artists have sacrificed quite as much as Lisset Diaz and her rock-and-roll band, the Sweet Lizzy Project. Lisset and her bandmates emigrated to Nashville from Havana, Cuba, in 2017. So even before the pandemic, going back home was no easy task. They came here to make a new album after being featured in a PBS special called “Havana Time Machine.” Recording Technicolor took longer than expected, and the band waited for the perfect time to release it—February 2020. We all know what happened next. On this episode of For Songs, Lisset discusses three songs from Technicolor—“Turn Up the Radio,” “Tu Libertad,” and “December 31”—and the band’s newest single, “Sticky Situations.” She discusses the sacrifices it took to get here, the differences of recording in the US and Cuba, and the frustration of not being able to tour in support of their new album. Lisset also talks about the band’s new EP, a collection of Christmas songs, released in late November 2020. So settle in and turn up the radio!

]]> Every musician sacrifices something to do what they do. For most, it’s money. I mean, unless you’re already a huge star, the chances of making money in this industry is slim to none. But few artists have sacrificed quite as much as Lisset Diaz and her rock-and-roll band, the Sweet Lizzy Project. Lisset and her bandmates emigrated to Nashville from Havana, Cuba, in 2017. So even before the pandemic, going back home was no easy task. They came here to make a new album after being featured in a PBS special called “Havana Time Machine.” Recording Technicolor took longer than expected, and the band waited for the perfect time to release it—February 2020. We all know what happened next. On this episode of For Songs, Lisset discusses three songs from Technicolor—“Turn Up the Radio,” “Tu Libertad,” and “December 31”—and the band’s newest single, “Sticky Situations.” She discusses the sacrifices it took to get here, the differences of recording in the US and Cuba, and the frustration of not being able to tour in support of their new album. Lisset also talks about the band’s new EP, a collection of Christmas songs, released in late November 2020. So settle in and turn up the radio!

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