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    <fireside:genDate>Thu, 09 Apr 2026 16:35:00 -0500</fireside:genDate>
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    <title>For Songs - Episodes Tagged with “London”</title>
    <link>https://forsongs.fireside.fm/tags/london</link>
    <pubDate>Sun, 23 Apr 2023 13:00:00 -0400</pubDate>
    <description>This podcast is for those who love music but can't write a tune to save their lives. We talk with singer/songwriters of all stripes, professional touring musicians to those who can't quite catch a break. Maybe you'll hear something you'll like. Maybe not. But you will come away with a greater appreciation for the gift of songwriting, and how hard it really is.
Now sponsored by @thepugdc!
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    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>A podcast for and about songs and songwriting</itunes:subtitle>
    <itunes:author>Rob Thormeyer</itunes:author>
    <itunes:summary>This podcast is for those who love music but can't write a tune to save their lives. We talk with singer/songwriters of all stripes, professional touring musicians to those who can't quite catch a break. Maybe you'll hear something you'll like. Maybe not. But you will come away with a greater appreciation for the gift of songwriting, and how hard it really is.
Now sponsored by @thepugdc!
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    <itunes:explicit>yes</itunes:explicit>
    <itunes:keywords>songwriting, punk rock, guitar, music, folk, rock, singer/songwriter, podcast, songwriters</itunes:keywords>
    <itunes:owner>
      <itunes:name>Rob Thormeyer</itunes:name>
      <itunes:email>robthormeyer@yahoo.com</itunes:email>
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  <title>Episode 57: For Songs Singles! Break Down the Walls, Emma Noble</title>
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  <pubDate>Sun, 23 Apr 2023 13:00:00 -0400</pubDate>
  <author>Rob Thormeyer</author>
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  <itunes:episode>57</itunes:episode>
  <itunes:title>For Songs Singles! Break Down the Walls, Emma Noble</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Rob Thormeyer</itunes:author>
  <itunes:subtitle>The best thing about music is no matter how old you are, no matter how long you’ve been listening and loving music, you can still hear something that will stop you in your tracks. Which is what happened to me a few months ago when London-based singer/songwriter Emma Noble’s latest single Break Down the Walls jumped out of my Spotify feed. Break Down the Walls sounds like it could’ve been recorded yesterday, or 40 years ago on Motown. Emma is a key player in London’s thriving soul scene. Her music draws influences from ‘50s-‘60s soul, ‘70s disco, and ‘80s new wave. In this episode of For Songs Singles, Emma discusses her musical journey, how her DJ-ing business led to developing relationships with producers and songwriters, and how this genre-bending gem of a pop tune came together. Dig in! </itunes:subtitle>
  <itunes:duration>23:05</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>The best thing about music is no matter how old you are, no matter how long you’ve been listening and loving music, you can still hear something that will stop you in your tracks. Which is what happened to me a few months ago when London-based singer/songwriter Emma Noble’s latest single Break Down the Walls jumped out of my Spotify feed. It was an old-school sound with a fresh twist. Or maybe it was a fresh, new vibe with an old-school feel. Whatever it was, I was hooked. Break Down the Walls sounds like it could’ve been recorded yesterday, or 40 years ago on Motown. Emma is a key player in London’s thriving soul scene. Her music draws influences from ‘50s-‘60s soul, ‘70s disco, and ‘80s new wave. But she brings a fresh, crisp modern vocal and melodic perspective. In this episode of For Songs Singles, Emma discusses her musical journey, how her DJ-ing business led to developing relationships with producers and songwriters, and how this genre-bending gem of a pop tune came together. Dig in! And I take no responsibility if you are humming this song for days… 
</description>
  <itunes:keywords>Emma Noble, soul, London soul, disco, Motown, bandcamp, new music</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>The best thing about music is no matter how old you are, no matter how long you’ve been listening and loving music, you can still hear something that will stop you in your tracks. Which is what happened to me a few months ago when London-based singer/songwriter Emma Noble’s latest single Break Down the Walls jumped out of my Spotify feed. It was an old-school sound with a fresh twist. Or maybe it was a fresh, new vibe with an old-school feel. Whatever it was, I was hooked. Break Down the Walls sounds like it could’ve been recorded yesterday, or 40 years ago on Motown. Emma is a key player in London’s thriving soul scene. Her music draws influences from ‘50s-‘60s soul, ‘70s disco, and ‘80s new wave. But she brings a fresh, crisp modern vocal and melodic perspective. In this episode of For Songs Singles, Emma discusses her musical journey, how her DJ-ing business led to developing relationships with producers and songwriters, and how this genre-bending gem of a pop tune came together. Dig in! And I take no responsibility if you are humming this song for days…</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>The best thing about music is no matter how old you are, no matter how long you’ve been listening and loving music, you can still hear something that will stop you in your tracks. Which is what happened to me a few months ago when London-based singer/songwriter Emma Noble’s latest single Break Down the Walls jumped out of my Spotify feed. It was an old-school sound with a fresh twist. Or maybe it was a fresh, new vibe with an old-school feel. Whatever it was, I was hooked. Break Down the Walls sounds like it could’ve been recorded yesterday, or 40 years ago on Motown. Emma is a key player in London’s thriving soul scene. Her music draws influences from ‘50s-‘60s soul, ‘70s disco, and ‘80s new wave. But she brings a fresh, crisp modern vocal and melodic perspective. In this episode of For Songs Singles, Emma discusses her musical journey, how her DJ-ing business led to developing relationships with producers and songwriters, and how this genre-bending gem of a pop tune came together. Dig in! And I take no responsibility if you are humming this song for days…</p>]]>
  </itunes:summary>
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<item>
  <title>Episode 44: Another Conversation with The Pug--Talking the Clash, Joe Strummer, Big Audio Dynamite &amp; Much More!</title>
  <link>https://forsongs.fireside.fm/44</link>
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  <pubDate>Sun, 10 Apr 2022 14:00:00 -0400</pubDate>
  <author>Rob Thormeyer</author>
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  <itunes:episode>44</itunes:episode>
  <itunes:title>Another Conversation with The Pug--Talking the Clash, Joe Strummer, Big Audio Dynamite &amp; Much More!</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Rob Thormeyer</itunes:author>
  <itunes:subtitle>It’s been a rough two years, to say the least. In this unique episode, Tony from the Pug joins me for an enthralling conversation about music, the Clash, and so much more. The general theme of this conversation is as follows: What Big Audio Dynamite/Joe Strummer solo songs would’ve been great Clash songs? We tried to put in some ground rules, but those quickly went out the door. So rather than sum it up, it’s better if you just listen in. And join us online for an ongoing conversation! </itunes:subtitle>
  <itunes:duration>39:53</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/9/9734e0f9-52d1-49b0-8dbc-92f6308326c9/episodes/1/1c5a7947-8874-4dc1-8cc4-1399dbdcf69d/cover.jpg?v=1"/>
  <description>It’s been a rough two years, to say the least. Music is one of the few things keeping us together, and for some of us, The Clash have been doing the heavy lifting. In this unique episode, Tony from the Pug joins me for an enthralling conversation about music, the Clash, and so much more. The general theme of this conversation is as follows: What Big Audio Dynamite/Joe Strummer solo songs would’ve been great Clash songs? We tried to put in some ground rules, but those quickly went out the door. Aside from the Clash we talk about Poguetry, go-go music, cow punk, ska, and you name it. So rather than sum it up, it’s better if you just listen in. And join us online for an ongoing conversation! What songs would you pick? Ping us on Twitter--@thepugdc &amp;amp; @forsongs2!  
</description>
  <itunes:keywords>The Clash, Big Audio Dynamite, Poguetry, punk rock, indie rock, music, pandemic, DC, Don Letts, gogo</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>It’s been a rough two years, to say the least. Music is one of the few things keeping us together, and for some of us, The Clash have been doing the heavy lifting. In this unique episode, Tony from the Pug joins me for an enthralling conversation about music, the Clash, and so much more. The general theme of this conversation is as follows: What Big Audio Dynamite/Joe Strummer solo songs would’ve been great Clash songs? We tried to put in some ground rules, but those quickly went out the door. Aside from the Clash we talk about Poguetry, go-go music, cow punk, ska, and you name it. So rather than sum it up, it’s better if you just listen in. And join us online for an ongoing conversation! What songs would you pick? Ping us on Twitter--@thepugdc &amp; @forsongs2! </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>It’s been a rough two years, to say the least. Music is one of the few things keeping us together, and for some of us, The Clash have been doing the heavy lifting. In this unique episode, Tony from the Pug joins me for an enthralling conversation about music, the Clash, and so much more. The general theme of this conversation is as follows: What Big Audio Dynamite/Joe Strummer solo songs would’ve been great Clash songs? We tried to put in some ground rules, but those quickly went out the door. Aside from the Clash we talk about Poguetry, go-go music, cow punk, ska, and you name it. So rather than sum it up, it’s better if you just listen in. And join us online for an ongoing conversation! What songs would you pick? Ping us on Twitter--@thepugdc &amp; @forsongs2! </p>]]>
  </itunes:summary>
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<item>
  <title>Episode 43: A Conversation with Emily Capell</title>
  <link>https://forsongs.fireside.fm/43</link>
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  <pubDate>Sun, 20 Mar 2022 14:30:00 -0400</pubDate>
  <author>Rob Thormeyer</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/9734e0f9-52d1-49b0-8dbc-92f6308326c9/04fe3ac5-5ef8-4875-854a-177fa98f61af.mp3" length="45929715" type="audio/mpeg"/>
  <itunes:episode>43</itunes:episode>
  <itunes:title>A Conversation with Emily Capell</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Rob Thormeyer</itunes:author>
  <itunes:subtitle>If you had the chance to spend an hour in the car with one of your musical heroes—you are driving—what music would you play? My next guest, London-based Emily Capell, faced this very dilemma. Emily, who literally grew up on the Clash and its various offshoots, is inspired by, well, the Clash, Big Audio Dynamite, but it goes beyond that. In his exhilarating interview, Emily and I talk about two songs from her 2019 debut album Combat Frock and then we talk about two newer songs, 2020’s Flamingo, recorded with the London-based Dreadzone, and a cover of Big Audio Dynamite’s E=MC2. Emily is one of the freshest talents recording today, so go grab your beer, sit down, and welcome Emily Capell to For Songs.</itunes:subtitle>
  <itunes:duration>45:33</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/9/9734e0f9-52d1-49b0-8dbc-92f6308326c9/episodes/0/04fe3ac5-5ef8-4875-854a-177fa98f61af/cover.jpg?v=1"/>
  <description>Question for you: If you had the chance to spend an hour in the car with one of your musical heroes—you are driving—what music would you play? Believe it or not, this is a difficult, stressful decision. And my next guest, northwest London-based Emily Capell (https://www.emilycapell.co.uk/), faced this very dilemma. Emily, who literally grew up on the Clash and its various offshoots, is an old soul. Her music is inspired by, well, the Clash, Big Audio Dynamite, but it goes beyond that. You’ll hear some Sinatra, you’ll hear some ‘60s doowop, you’ll hear a lot of ska, Blondie, you name it. In this exhilarating interview, Emily and I talk about two songs from her 2019 debut album Combat Frock—Bonanza and Ipso Calypso—and then we talk about two newer songs, 2020’s Flamingo, recorded with the London-based Dreadzone (https://www.dreadzone.com/), and a cover of Big Audio Dynamite’s E=MC2, recorded with the song’s co-writer, legendary punk-rock DJ and studio innovator Don Letts. We discuss what it was like to record with Letts, one of her heroes, and the troubles and trials of being a musician in a pandemic. Mostly, though, we talk about the music. Emily is one of the freshest talents recording today, so go grab your beer, sit down, and welcome Emily Capell to For Songs. 
</description>
  <itunes:keywords>Emily Capell, Dreadzone, Don Letts, the Clash, Big Audio Dynamite, London, indie rock, Beastie Boys</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Question for you: If you had the chance to spend an hour in the car with one of your musical heroes—you are driving—what music would you play? Believe it or not, this is a difficult, stressful decision. And my next guest, northwest London-based <a href="https://www.emilycapell.co.uk/" rel="nofollow">Emily Capell</a>, faced this very dilemma. Emily, who literally grew up on the Clash and its various offshoots, is an old soul. Her music is inspired by, well, the Clash, Big Audio Dynamite, but it goes beyond that. You’ll hear some Sinatra, you’ll hear some ‘60s doowop, you’ll hear a lot of ska, Blondie, you name it. In this exhilarating interview, Emily and I talk about two songs from her 2019 debut album Combat Frock—Bonanza and Ipso Calypso—and then we talk about two newer songs, 2020’s Flamingo, recorded with the London-based <a href="https://www.dreadzone.com/" rel="nofollow">Dreadzone</a>, and a cover of Big Audio Dynamite’s E=MC2, recorded with the song’s co-writer, legendary punk-rock DJ and studio innovator Don Letts. We discuss what it was like to record with Letts, one of her heroes, and the troubles and trials of being a musician in a pandemic. Mostly, though, we talk about the music. Emily is one of the freshest talents recording today, so go grab your beer, sit down, and welcome Emily Capell to For Songs.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Question for you: If you had the chance to spend an hour in the car with one of your musical heroes—you are driving—what music would you play? Believe it or not, this is a difficult, stressful decision. And my next guest, northwest London-based <a href="https://www.emilycapell.co.uk/" rel="nofollow">Emily Capell</a>, faced this very dilemma. Emily, who literally grew up on the Clash and its various offshoots, is an old soul. Her music is inspired by, well, the Clash, Big Audio Dynamite, but it goes beyond that. You’ll hear some Sinatra, you’ll hear some ‘60s doowop, you’ll hear a lot of ska, Blondie, you name it. In this exhilarating interview, Emily and I talk about two songs from her 2019 debut album Combat Frock—Bonanza and Ipso Calypso—and then we talk about two newer songs, 2020’s Flamingo, recorded with the London-based <a href="https://www.dreadzone.com/" rel="nofollow">Dreadzone</a>, and a cover of Big Audio Dynamite’s E=MC2, recorded with the song’s co-writer, legendary punk-rock DJ and studio innovator Don Letts. We discuss what it was like to record with Letts, one of her heroes, and the troubles and trials of being a musician in a pandemic. Mostly, though, we talk about the music. Emily is one of the freshest talents recording today, so go grab your beer, sit down, and welcome Emily Capell to For Songs.</p>]]>
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